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Artistic activity makes familiar with creative processes. At the Goetheanum, the art impulse also lives as a stimulus for tasks in agriculture, medicine and education for instance. An Art Intensive Week reveals approaches in architecture, painting and sculpture.
The Goetheanum in Dornach, Switzerland, was intended as a building that would inspire cultural impulses. It was erected during the First World War by people from seventeen nations. One hundred years after its destruction by fire in 1922/1923, experts are discussing metamorphosis as a creative impulse in architecture, sculpture, painting and glass carving.
Human societies are undergoing complex transformation processes: At present, the climate crisis, the search for appropriate forms of coexistence, the status of the individual and digitalisation are all drawing attention to issues of relationship.
One of the tasks of the Visual Art Section at the Goetheanum is to create and communicate art in all its visual, tangible qualities. Christiane Haid, the new director of the section, has appointed a team of artists in order to meet the needs of this broad professional field.
Claudy Jongstra will be at the Goetheanum from 5 to 8 February during the exhibition of her monumental installation ‘Woven Skin’ (2018) made from felted wool. In addition, her triptych ‘Landscape in Pointillism’ (2019) will be exhibited in the foyer of the Goetheanum until the end of May 2020.
Four leadership changes will take place at the Goetheanum by Easter 2020. Ueli Hurter has been appointed as the fifth member of the Executive Council. This appointment still requires the approval of the General Assembly in April. The leadership positions of the Natural Science Section, the Visual Arts Section and the General Anthroposophical Section will also be newly filled.
The Kunstmuseum Basel has invited the Goetheanum to design two artistic evenings around the theme of ‘The Twelve Days of Christmas’ as part of their ‘Dialogue at Christmas’: On the 4th and 18th of December, the visual arts and literature will come together.
The technology of the future promises liberation from the basic human experiences of illness, old age, and death. By downloading the consciousness of the human brain onto a machine, ‹immortality› will be attained. However, a person is more than a data storage medium: the human is above all else a creative being.
The Goetheanum publishing house appointed Thomas Didden as its new managing director. Christiane Haid remains responsible for the editorial content.
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